We have a preference for pre-loved furniture in our house. For example, this means we have dining chairs that don’t match. The dining chairs themselves are all of the long-lasting wooden variety, probably dating from somewhere around the middle of last century.
Our dining chairs see very regular use, so you can imagine the seats of these chairs from time to time begin to show distinct signs of wear and need to be re-covered. One of the chairs is currently in this very worn condition and in dire need of repair.
Normally to mend our chair covers, I simply cut out a suitably sized piece of upholstery material and replace the old chair seat cover, restoring the seat padding at the same time if necessary. However, this time I decided to combine replacing the chair seat cover with practicing a new textile skill. When I say ‘new’ textile skill, I really mean ‘very old’ textile skill – it is only new to me, though I have been studying it for a while. Now I have the perfect opportunity to try my hand at a traditional rug-making method that could have quite possibly been practised in the homes where our old chairs started out more than half a century ago.
Will it work, using a rug-making method to create a chair seat cover? Well, I can only say I have seen it used this way in the hands of an expert, so I am hopeful 😉
The rug-making method I am planning to use was known locally in our area as “hooky mat-making” where strips of recycled textiles (usually old clothing and household textiles) were hooked onto a base of strong woven jute sacking that had been stretched taut onto a frame. In North East England the word ‘mat’ was used rather than ‘rug’. Hooky mats are one of the two main mat-making styles that were widely used right up to the middle of the twentieth century in North East working class households to create floor rugs, as bought carpets were unaffordable for many people. When completed, a hooky mat has quite a flat pile with short loops. The other style of mat-making was called a “proggy mat” and that results in a mat with a longer, softer pile finish.
For my hooky mat chair seat cover, I have chosen to use some heavy linen canvas as the base and I’ve stretched this onto a large heavy-duty painting frame that I had conveniently available.
The tool I will be using to craft my hooky mat design is this wooden hook that I asked my son (the woodworker) to make for me to a particular size and shape. He began by turning a short length of sycamore wood on the pole lathe and then between us we carved the hook end to the required shape. The hook may need some more refining yet – I shall have to see when I put it to use.
Currently in my new craft project I am preparing the design that I will be working onto the linen base. While I was browsing for potential design ideas I was inspired by some of Charles Rennie Mackintosh’s flowers and Art Nouveau mosaics, so I decided to develop my design in this early 20th century style.
My colour scheme will be deliberately chosen from a limited palette of colours and I also want to keep the colours subtle rather than bright. Partly my range of colours will be dictated by the availability of suitably coloured textiles. I have begun preparing some textile strips in greys and purples so I will choose other colours to work with them.
Hopefully I will complete the design this week and perhaps manage to make a start on working the textile strips into the linen base. I’ll let you know how my latest upcycling craft project goes 🙂
J Peggy Taylor