We were delighted to be chosen by Cee as featured bloggers for our black and white challenge entry last week and when I saw Cee’s theme for her Black and White Photo Challenge this week was ‘glass’, I immediately remembered this very interesting visit we made to the National Glass Centre in Sunderland.
The city of Sunderland in north east England has a proud heritage of glassmaking. The National Glass Centre stands on the banks of the River Wear at Monkwearmouth. On our visit to the National Glass Centre we were able to watch a demonstration of glass blowing.
The molten glass is held on the end of a metal rod and then skilfully the glass blower blows through the metal rod to inflate the glass globe. The glass globe is reheated and gradually shaped into its final form – in this case a vase. The glass vase being blown has a swirling pattern within it.
Crochet is my favourite yarn craft, so I am always looking for new ways to crochet my world. One idea I had earlier this year was to make personalised birthday cards featuring crochet designs for our sons. You can see my two specially created designs in the slideshow above. May I introduce you to Hedgehog and GCF. It’s fairly obvious which one is which! Hedgehog looks quite normal but what, I hear you ask, is a GCF? It looks rather dangerous doesn’t it … but no need to fear! Giant Carnivorous Fly is a personal logo invented by our son, while the tools refer to his woodwork hobby 🙂 For all you keen crocheters, the hedgehog and his grass are crocheted in Astrakhan stitch.
This got me thinking about the coming holiday season when we all love to send our good wishes to friends and relatives with a card. What better way of sending your love than with a handmade card! I always think handmade gifts and cards make them extra special.
To help get your creative imagination in gear, I have created a step-by-step tutorial for this snowman card design using a few simple crochet stitches. You can find my tutorial via this link, but you’ll also see it in my How To … Tutorials menu above.
Go on! Get crafty, and surprise someone with a simple but special handmade card this winter holiday season!
“What is beautiful to you?” is the theme of Cee’s Black and White Challenge this week. There were probably so many things I could have chosen, but I decided to choose two of the landscapes that provide us with endless pleasure through the year’s seasonal cycle. The first photo is our beautiful, everyday view to the North Pennine moors, and the second is a regular rambling haunt that we love so much, down by the river. Whether we walk uphill or down – we are always certain of a beautiful view.
I decided to look for the colour blue in different seasons for Cee’s Fun Foto Challenge this week.
For my header image I chose glorious wild English Bluebells, blooming in our beechwoods in May. For me, blooming Bluebells are the sign that Spring has really sprung.
Thinking about the colour blue made me ponder on the way the light changes at different times of year. I always notice this when I’m photographing locations that I visit often. I find the blue of the sky varies with the season and the prevailing weather conditions.
The sky in this image is for me the classic deep blue of an English Summer’s day – definitely a day to be down by the deep blue sea.
Our blue skies in Winter are often a much paler blue than in Summer, especially when it is snowy too. A warm blue wooly hat was definitely the headgear for this chilly walk in the woods.
This is a strangely atmospheric shot I have shared before. The sky was covered in heavy snow clouds and it had snowed heavily all afternoon. The result by 5.30pm was this incredible blue-grey light. We were fascinated by it as we had never seen the like before. It was as if another world had descended out of the sky – I guess, in a way, it had!
Crochet is my favourite textile craft and I am always delighted when I see it being acknowledged or even celebrated in the public arena. A particularly historic example of significant crochet was on display on our recent visit to the exhibition “A Brilliant Mind: Sir Joseph Swan 1828-1914” at the Discovery Museum, Newcastle upon Tyne. Let me tell you more about this.
In my earlier post about the exhibition, I was showing you Joseph Swan’s most famous invention, the lightbulb – or more correctly, the Carbon Filament Lamp. He had first demonstrated the lamp in the early months of 1879. In his subsequent efforts to improve the filaments for his lamps, Joseph Swan began experimenting with extruding nitro-cellulose that had been extracted from plant fibre.
Swan’s experiments built on previous work by others including the German-Swiss chemist, Christian Friedrich Schoenbein, who had discovered nitro-cellulose around 1846. Initially, nitro-cellulose or ‘guncotton’ was used as an effective propellant for military purposes. Nottingham University has produced an informative and dramatic video on the chemistry of nitro-cellulose and guncotton as part of their Periodic Table series on YouTube.
Swan was looking to make strong thin filaments rather than dramatic flashing flames and he found that by squirting nitro-cellulose dissolved in acetic acid through a small hole and into a bath of alcohol, he could produce a thin continuous thread. This thread was thin enough to be used as a textile fibre. Joseph Swan called his invention ‘artificial silk’. Hannah Swan, Swan’s wife, crocheted the new ‘artificial silk’ fibre into doilies, table mats and the edging of this silk handkerchief. This exhibit is currently on loan to Newcastle’s Discovery Museum from the Science Museum in London.
Hannah Swan’s crocheted textiles were displayed as part of the Exhibition of Inventions in London in 1885. (You can see a clearer image of the crochet edging on this webpage.)
International exhibitions were something of a feature of the cultural scene in the later years of the 19th century, starting with the Great Exhibition of 1851, held at the purpose-built Crystal Palace in London. With over 2 million visitors attending the Exhibition of Inventions during the Autumn months of 1885, I can imagine Hannah Swan was very proud that her crochet had taken its place in the history of inventions.
Joseph Swan understood that his fibre could be an alternative to silk but although he did obtain a patent for the production method, Swan’s ‘artificial silk’ was not produced commercially in Britain. It was the French chemist, Chardonnet, who had also been working on the use of nitro-cellulose for fibre production, who became known as the ‘father of Rayon‘. Rayon was the name by which this type of cellulose-based fibre became known. The header image I have added to this post shows an example of woven rayon fabric on a vintage shirt of mine. However, it was another cellulose-based substance, viscose, that became the basis for the artificial silk industry in Britain.
From the early years of the Industrial Revolution right through the Victorian era, the ingenuity of the human mind leapt on at a great pace, with discoveries and inventions of all kinds. Joseph Swan was in his element during this period. In 1906 he was quoted as saying:
“If I could have had the power of choice of the particular space of time within which my life should be spent I believe I would have chosen precisely my actual lifetime. What a glorious time it has been! Surely no other 78 years in all the long history of the world ever produced an equal harvest of invention and discovery for the beneficial use and enlightenment of mankind.”
I liked that Joseph Swan saw the technological developments of his lifetime as being beneficial and could stimulate future developments – though I would like to think he meant ‘womankind’ too 😉 … especially given his wife Hannah’s assistance with the historically important crochet!
We love museums. One of our longtime favourites here in Newcastle is the Discovery Museum, our local museum of science, engineering and local history. Before it became a museum in the 1980s, this classic red brick Victorian building was the headquarters of the North East branch of the Co-operative Wholesale Society. Called “Blandford House”, the building first opened in 1899. The domes on the turrets are made of copper and have developed their distinctive green patina over the years.
The contemporary colourful entrance arch leads visitors to the glass entrance hall. The building has been partially modernised inside too, for example, the addition of glass lifts (elevators 😉 ) and a modern open aspect stairwell, but it does also retain some wonderful Victorian features such as the Great Hall on the fourth floor which is now used for special events and some visiting exhibitions.
The modern features contrast with the solid painted brick walls and the old metal painted pipework that is still visible around the ceilings of the galleries. The building still has much of the feeling of a Victorian industrial workshop and this works well as the setting for a museum journey into the history of inventions and the lives and culture of the people of the North East.
In our family, we associate the Discovery Museum very much with the hands-on exhibits in the Science Maze – the numerous interactive science activities that demonstrate electricity, magnetism, light, pulleys, gears or sound. Many happy and informative hours have been spent in this part of the museum. There are also lots of interesting exhibits here, some of which celebrate the bright ideas of some of the North East’s home-grown inventors including Charles Parsons and William Armstrong.
There are some suberb static steam engines that have seen service in industry and training colleges in the region alongside a range of technology ‘relics’ – from mid-20th century TV sets and reel to reel film to mini-disc players and Sony Walkmans. There are 19th century telegraph machines demonstrating the capacity to transfer information using electrical signals – a kind of pre-cursor to the internet, and there are telephones too, including such ‘old-fashioned’ things as car phones and mobile phones from the early years of this century. These exhibits show just how fast the technology aspect of our lives has changed in the last century or so.
The image below shows the huge metal amplifying horn that formed part of Charles Parsons’ early version of a music amplifier – the Auxetophone. The machine worked using an air control valve that was attached to the gramophone needle and then passed the pulses of air through into the horn to amplify the sound. It was extremely loud apparently at up to 90 decibels, with little in the way of volume control! Charles Parsons is rather better known as the inventor of the steam turbine and his first steam-driven vessel, the very impressive Turbinia, stands in her own gallery on the ground floor of the museum. The Auxetophone was merely a hobby project for Parsons. The horn stands around eight feet high (almost 2.5 metres).
The reason for our cultural caper to the Discovery Museum this week was to see a particular exhibition on one of our Victorian inventors from the North East, the chemist, Sir Joseph Wilson Swan. You may not be familiar with the name of Joseph Swan, but you are likely to be familiar with one of his most famous inventions – the lightbulb.
As part of the exhibition, appropriately entitled “A Brilliant Mind: Sir Joseph Wilson Swan, 1828 – 1914”, the Science Museum in London had loaned several items including the original lamp that Joseph Swan used to demonstrate his invention in Newcastle and Gateshead in the early months of 1879. In 1880 Swan asked his friend, the inventor and industrialist William Armstrong, if he could try out his invention to light up Armstrong’s country house at Cragside in Northumberland. William Armstrong had previously created his own source of hydroelectricity using a stream that ran through the grounds of his house. I think it is very interesting that the first house in the world to be lit with electric lamps was also powered by renewable energy – and this was 1880!
By 1883 Joseph Swan had teamed up with American physicist, Thomas Edison, who had also been working to develop a filament lamp. You can see their lamps side by side on this link to the Science Museum. Together Edison and Swan formed the first company to produce lightbulbs commercially – the Edison and Swan United Electric Light Company which was located at Benwell in Newcastle. The Discovery Museum’s example of the first commercially available electric lamps of the type used at William Armstrong’s Cragside home is shown displayed as part of the Swan exhibition.
Another of Joseph Swan’s inventions that may be of interest to all you photographers out there was his Carbon Process that allowed photographers to print their photographs in permanent pigments, patented by Swan in 1864. Swan’s process for the first time provided photographers with a permanent printing process that could be carried out with readily available materials. Prior to this, early photographic prints had suffered with fading. The carbon powder was used in a thin film of gelatine and was sensitised with potassium chromate.
Swan’s patent was bought up by the Autotype and Publishing Company in London and the process was used for around a hundred years to produce high quality photographic prints. Here is the example of Swan’s Carbon Process for photographic prints that was on display in the exhibition (with a reflection of my son and Charles Parsons’ Turbinia in the background 😉 ).
All in all, we enjoyed a fascinating visit to the Discovery Museum. From a parent’s point of view it was also interesting to see how our boys have ‘moved on’ from the hands-on interactive exhibits to being keenly interested in studying the technological developments displayed in the exhibition cases. My youngest son’s only criticism was that he wanted more information on each of the exhibits! Museums and art galleries are such a fabulous educational experience and I always consider us very fortunate to have access to so many of these education treasure houses locally to us, free of charge – though we do post a voluntary donation in the strategically-placed collection boxes, as we know such places do not run on fresh air. Thank you to Tyne and Wear Museums and Archives service for these wonderful resources!
Nature has a keen eye for colour and she greets us in every season with so many different colour contrasts.
Pink and yellow
In our valley we are treated to some colourful Winter sunrises when the sky is aglow with amazing pinks and yellows.
Yellow and green
It was mid-February this year when we spotted the glorious golden globes of the Winter Aconites Eranthis hyemalis as we took a woodland walk one sunny afternoon. I always look forward to seeing these flowers blooming for they bring with them the promise that Spring is not far off.
Yellow and blue
Gorse is a rather prickly shrub that grows widely in wild places in our area. Its yellow pea-type flowers begin to bloom from late January bringing some welcome brightness in our hedges and woods, replacing the browns of Winter.
Purple and orange
Like many people, we grow a pot or two of crocuses in our back yard. When our purple crocuses bloom, I know that Winter really is past and Spring is here to stay. The bright orange stamens seem to glow when the Spring sunshine catches them.
Purple and green
Our family has spent many happy hours focusing on creatures on Common Knapweed – literally! This beautiful purple flower of Summer is one of my favourite colours and the greens of the grass and foliage create a perfect backdrop.
Orange and purple
Colourful butterflies are another delight of Summer. The orange of this Comma butterfly contrasts well against the purple thistles.
Red-orange and green
As the Summer draws to a close, the hedgerows fill up with Autumn fruits. Red berries against green foliage are a certain reminder that it is time to stock up the larder with these juicy fruits, full of captured Summer sunshine, to see us through the dark days of Winter. We also make sure we leave plenty for the birds and beasties.