My inspiration for Cee’s Black & White Photo Challenge this week comes from two contrasting signs we spotted on a family summer ramble along the Waskerley Way in County Durham, which forms part of the C2C long distance cycle path.
My first ‘sign’ is an old lichen-encrusted and weathered stone marker, bearing the letters SDR – the initials standing for Stockton & Darlington Railway. Synonymous with the Victorian railway engineers, George and Robert Stephenson, the Stockton & Darlington Railway was the first railway in the world to operate steam locomotives for passenger transport. However, this branch of the line opened on 4th July 1859 and carried mainly iron ore for use in the nearby Consett Ironworks.
My second sign is cast in iron and was designed and produced as one of the Millenium Mileposts to celebrate the creation of the National Cycle Network here in the UK. The Millenium Mileposts were sponsored by The Royal Bank of Scotland.
This elevated view of Newcastle upon Tyne’s Central Station is one of several panoramas that can be enjoyed if you are sprightly enough to climb the many stone steps and spiral staircases to the rooftop of Newcastle’s medieval Castle Keep.
For Cee’s Black & White Photo Challenge this week we are looking at large subjects. ‘Large’ is a relative term. To appreciate the scale of a subject, we have to look at size compared to something else. The large subjects I have chosen from either the built or natural landscape are all quite substantial … at least compared to a human.
This medieval manor house was three storeys high and even the remaining ruins are quite impressive. In this image, you can see the scale of the building compared to the oak tree immediately behind it.
This Victorian railway bridge has been built very tall to accomodate the contours of the ground here on the banks of the River Derwent, so that the railway could be constructed on a given level. You can see the scale of the bridge compared to my son who is walking underneath it.
The Broad Oak gives its name to the farm on which the tree stands and what a magnificent ancient oak tree it is too. The scale of the tree can be deduced from the other trees and bushes in its vicinity.
Whitburn windmill is a restored 18th century flour mill and now it towers above the new housing nearby.
“Older than 50 years” is the topic for Cee’s Black & White Photo Challenge this week. Rather than root about in my photo archives, I decided to have a root about in the old shed in my new allotment garden. I found all kinds of old treasures and photographed them on the old cupboard that doubles as a bench and storage space in the garden shed.
The old shed itself definitely falls within this week’s topic. Originally, this building was constructed as a garage, probably shortly after World War II. I remember there were some old garages of this type near where I lived as a young child, back in the 1960s. The garage was probably saved from demolition and then transported to its current location and repurposed as a garden shed.
I love the smell of old garden sheds – the mingling aromas of musty dampness, machine oil and old creosote wood preserver, all mixed up together. Rust, dust and cobwebs cover the array of relics left behind from a by-gone age.
Before hand drills were made in moulded plastic and powered by electricity, these are one of the tools people would have used – a brace and bit. I know some woodworkers still use these tools today as we bought a brand new one for our woodworking son a couple of years ago. These old and rusty hand braces hang from one of the old shed beams. One of them still has its ‘bit’ in place – I wonder what it was last used for, and when?
In years long gone, shoes were made of leather and people mended their own at home … or in the garden shed, apparently! This rusty old shoe last would have been used to support the shoe whilst it was re-soled, or re-heeled with new material. Here in our village, it’s very likely that the last was used to mend the pitmens’ heavy boots that they wore when working in the coal mines. Can you hear the ghostly echo of the shoe mender’s hammer as he taps in the new nails?
Wood turning is a heritage skill that we’ve learned a bit about in our family. Our youngest son went through a keenly interested phase and he and I ended up building a treadle-powered pole lathe from raw timber, which was a wonderful learning experience.
In the old shed, I came across these very old hand tools with turned wood handles and they reminded me of our wood turning project. You don’t often see tools with turned wood handles nowadays as moulded plastic has become the norm.
I had fun exploring in the old shed for this photo challenge … and it provided a welcome cool space on a particularly hot and sunny Summer’s day too!
My photos are more often of castles, trees or making things rather than Cars, Trucks and Motorcycles, but as Cee was kind enough to choose my “Steps and Stairs” post from last week’s challenge as one of her Featured Bloggers, I thought I’d dig in my archives and create a response to this week’s Cars, Trucks and Motorcycles theme by way of a ‘Thank You’ 🙂
As a keen countryside footpath explorer, I have climbed over many stiles in my life. Most of them tend to be of the wooden rickety type. But I think this one we found a couple of Summers ago at Whitburn is magnificent … and definitely the most sturdily built one I have ever traversed! There was no need to perch precariously on the top of this fine sandstone edifice. I was able to stand atop and gaze out across the meadow to the North Sea beyond, completely without any risk of the stile giving way beneath me!
Regular visitors to my blog may have seen my photo of the view looking down from the top of Newcastle’s Norman Castle Keep for Cee’s Fun Foto Challenge last week. This time we are looking up the steep stone main steps to the ‘front door’ of the Castle Keep. Can you spot the silhouettes of our two boys in the dark doorway? 😀
When are outdoor stone steps called ‘stairs’? When they lead down the steep slope from the old medieval town onto Newcastle’s Quayside. There are several sets of ‘stairs’ in this vicinity. My two photos show the Castle Stairs and the Long Stairs (known in Newcastle’s Geordie dialect as the ‘Lang Stairs’). The Castle Stairs and the Long Stairs between them lead from the Castle Keep right down to the Quayside.
Another set of stairs that lead from the Castle grounds is the more oddly-named ‘Dog Leap Stairs’. Apparently ‘Dog Leap’ is an historical reference to ‘a narrow slip of ground between houses’. This set of stairs has two claims to fame. Firstly, according to local legend, when the well-to-do Bessie Surtees eloped with the coal merchant’s son, John Scott (later to become Lord Chancellor of England) in 1772, they escaped on horseback up the Dog Leap Stairs. Unfortunately, I don’t seem to have a photo of these stairs, but if you can imagine, this is a long set of steep, stone steps – on horseback? That sounds as if it would be a hair-raising experience! The Dog Leap Stairs are also mentioned in the song ‘Down to the Waterline’ by the band, Dire Straits.
At the foot of the Long Stairs is one of the oldest buildings in Newcastle. This timber-framed building dates from the 15th century. In the 19th century it was owned by a family called ‘Cooper’ and was an actual cooperage (barrel-making!). It retained the name, “The Cooperage”, but I knew it as a quaint old public house in the closing decades of last century. The pub closed down in 2009 and it seems, sadly, the building is no longer in use.
Cee said, “Have fun and use your imagination and creativity with this topic.” … and I took her words literally. As Cee also pointed out, what we see as large can be purely a matter of perspective. I certainly had a lot of fun trawling through my photo archives to choose my selection for this week’s Black and White Photo Challenge on the topic of Large Subjects.
This stand of Scots Pine trees hugs a small escarpment above a stream in our woods and we often pass by them. At their feet, bluebells grow in Spring and then a bed of bracken takes over in the Summer months.
Whenever we visit the Sunderland Museum to see an exhibition, we never leave without taking a walk around the wonderful Winter Gardens that are there too. Here in the heart of Sunderland is a miniature tropical forest in this fascinating giant greenhouse, complete with a treetop walkway from which you can gaze down on the amazing tropical plants and mesmerising water features.
At ground level in the Winter Gardens is an artificial ‘stream’ that is home to many colourful Koi Carp. On this particular visit a few years ago, my son took a whole series of photographs of the fish – in all their colours, shapes and sizes, including this rather well-grown monster!
Staying on the theme of small boys and creatures, this young toad is being carefully persuaded to have its portrait taken. My son’s hand looks very large compared to the tiny toad. We have spent many happy hours down beside our local river, especially in Summer when the new ‘toadlets’ are just beginning to leave the water and venture into the unknown lands of the riverbank. Our boys loved to catch the little toads but were always very careful not to hurt them.
The Theatre Royal on Grey Street in Newcastle upon Tyne is a large and beautiful building. I thought of the theatre for the ‘large subjects’ theme because in its town centre location its large size makes it difficult to photograph all of it at one go. This does not prevent the Theatre Royal from being a very popular building for photographers. Whenever I have been photographing the theatre there have always been several others doing likewise, from quick phone snaps to serious tripod set-ups.
Here’s another of my favourite photography subjects, clouds. From just outside our house we often see wonderful cloudscapes. I captured this impressive cumulus cloud as it sailed away south-west, up the valley.
A monument to one of Britain’s most famous seafarers stands looking out over the mouth of the River Tyne at Tynemouth on the North East coast. From his elevated position on a substantial sandstone plinth, stands the statue of Admiral Lord Collingwood.
The plaque on the plinth recalls Collingwood’s role in the Battle of Trafalgar.
This monument was erected in 1845 by Public Subscription to the memory of ADMIRAL LORD COLLINGWOOD, who in the Royal Sovereign on the 21st October 1805, led the British Fleet into action at Trafalgar and sustained the Sea fight for upwards of an hour before the other ships were within gun shot, which caused Nelson to exclaim, “See how that noble fellow Collingwood takes his ship into action.”
We can also read that Collingwood was born at Newcastle upon Tyne in 1748 and died in the Service of his country on board of the Ville De Paris on 7th March 1810 and was burried in St Paul’s Cathedral (London).
Finally, we learn that the four guns on the monument belonged to his ship the Royal Sovereign.
Here we have another of North East England’s famous sons. This wall-mounted sculpture of Thomas Bewick marks the location of his engraving workshop near St Nicholas’ Cathedral in Newcastle upon Tyne. Thomas Bewick (1753-1828) is renowned for his wood engravings, many of which were published as book illustrations. Bewick was a keen naturalist and observed nature closely. Some of his finest wood engravings form the illustrations of his two-volume “A History of British Birds” – Volume 1, Land Birds, was published in 1797 and Volume 2, Water Birds, soon followed in 1804. You can see a few classic examples of Bewick’s work here on the Bewick Society’s website.
After looking at the acclaimed wood engravings of Thomas Bewick, I thought we’d take a look at another wood carving of a bird but this carving is of rather a different sort. This majestic bird of prey sculpture stands perched on its pole at one of the viewing points in our local woodland.
For Cee’s Black and White Photo Challenge this week, we are looking at the ground. I often find the ground quite interesting because it is full of history.
The first image I’ve chosen shows an example of the Concretionary Magnesian Limestone on our North East England coastline. If you’re a geologist, you’ll certainly have heard of this well-known rock formation. The rocks were formed during the Permian period, over 250 million years ago, after rising sea levels flooded the adjacent sand dunes. The UK was still part of a large landmass at that time and lay just north of the equator. I always find it fascinating that we can just look down at the ground and look back so far into pre-history.
Another aspect of this particular spot that always strikes me as we walk across it, is the contrasts in texture. The sand is smooth, soft and usually cool, as the rising tide is normally casting its white foamy fingers across it. The Concretionary Magnesian Limestone is, by contrast, very rough. It really does look like concrete, with lumps of stone set into it, created entirely by the forces of Nature without any human help.
My second image is of the old road that runs through our woods. It still retains its old surface of local sandstone gravel, though some parts have been reinforced with newer limestone. Unsurprisingly, this road is known as the Stoney Road and a hundred years ago was the main road linking our village to a neighbouring one. We often walk along the old road when we go into the woods, to see the carpets of bluebells in Spring or the carpets of leaves in Autumn but it is also a cool green tunnel in high Summer. I’m sure this old road would have many tales to tell, if only the ground could talk!